- #Sound trax sound bug how to
- #Sound trax sound bug pro
Just cut the problematic portion of the track into a new clip and apply corrective EQ.
#Sound trax sound bug pro
If you’re using the latest version of Pro Tools, the new clip effects feature makes this easy. If the harshness only appears in one or two spots, automate the edgy frequencies out with an EQ.
#Sound trax sound bug how to
To learn how to pull this technique off in detail, read my article on multiband compression. This is a more transparent way to fix problems that come and go. Multiband compression will pull back problem frequencies, but only when they get too loud. If the harshness is only present in certain parts of the performance, use multiband compression instead.
Repeat steps 2 – 6, removing problem frequencies until the harshness has been tamed.įor more on this technique, read my subtractive EQ tutorial. Dip the frequency out until the problem disappears. Find the spot that sounds the most painful to listen to. Pay close attention to the upper midrange (2 – 5 kHz). Sweep the band through the frequency spectrum while the track is playing. Set up a band with a narrow Q (~8) and high gain (+18 dB). If the harshness is present throughout the entire performance, EQ is the best fix. Harsh Tracks: EQ or Multiband Compression While it can restore a bit of life, it’s far from a game changer. I’ve gotten mixed results with this approach. To learn how to use this technique, watch the video below: You can pull this off using Waves’ RComp, FabFilter’s Pro-G, or most transient-shaping plugins (including Waves’ TransX and BitterSweet). This can add back punch to flat, lifeless tracks. It’s worth experimenting with upwards expansion set to accentuate the transients of a performance. Once a track has been squashed, there’s little you can do to save it. Over-Compressed Tracks: Upwards Expansion I haven’t tried it personally, but it looks great. To learn how to pull this off in detail, read my tutorial on multiband compression.Īlso-iZotope RX 5 Advanced has a De-plosive tool that may be worth exploring. This technique is far from perfect, but it gets the job done. This way, you’ll retain as much of the fullness and body of the vocal as possible. Set it to compress the low end, but only when it becomes a problem. Filtering can leave the vocal sounding thin, and automation can take hours to pull off.Ī better approach is to use a multiband compressor. Since the resulting problems are often inconsistent, they can be tricky to tame. There’s nothing worse than mixing a vocal that was recorded too close to the mic. Too Close To The Mic: Multiband Compression Just remember to set the quality to high. Since this plugin is processor intensive, you’ll get best results by using it offline and committing the results to audio. While it won’t remove clipping or distortion completely, it does a great job at reducing it. Clipping & Distortion: iZotope RX De-clipĭe-clip is a lifesaver. These techniques will help you solve most problems quickly, so you can move on and start mixing sooner. Here are my favorite ways to fix poorly recorded tracks. In reality, we often fix as much as we mix. While we all dream of days like these, they rarely happen. 
Mixing feels effortless. You feel like a rockstar. There’s nothing better than mixing perfectly recorded tracks.
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